The Modern and the Postmodern 7th assignment {Coursera / Wesleyan}

Butler writes that gender “is a practice of improvisation within a scene of constraint.”

Discuss how her idea of improvisation compares with notions of creativity and self-invention we have seen in one other writer we have read this semester.

The “normal-different”

Judith Butler’s “Undoing Gender” critically reflects the political feminist movement, continuing her previous work on gender theory and queer studies. In her work, the notion of gender is described as “performative” and re-defined as “a practice of improvisation within a scene of constraint”. [Butler 2004: p.1]

For Butler the question is not “what is really real” or what is really feminine or masculine. She approaches the issue of gender identity not as self- defining per se but rather as a product of social rituals in combination with individual improvisation.  At this point we are presented with a paradox; although people themselves strive for obtaining a unique, genuine role within the post-modern society, the latter still dictates norms in which gender roles must be “performed”. In this way, the individual mimics- creatively enough – a theatrical performance; the mask worn is what society conforms, the artist is the individual self, seeking to please the crowd in an endless effort to reinvent himself first. The postmodern men or women become creative in search for a self – definition; they are still bound however by the politically-correct norms of society.  Society argues that “difference is […] code for heterosexual normativity” [Butler 2004: p.202-203], thus implying that any transgression could be “unliveable”.

The seemingly non-academic writing style of the author gives way to practical examples of her analysis, especially concerning linguistic discourse.  Towards the end of her book, Butler  tries to exhibit that “…a prohibition on certain forms of love becomes installed as an ontological truth about the subject: The “am” of “I am a man” encodes the prohibition “I may not love a man,”…” [Butler 2004: p.199]. Chapter 5 of her book is attributed to kinship and heterosexual dominance in family ties and role-models [Butler 2004: p.102-130]. Gay marriage – a new creative, self-inventing proposal in order to belong – is taken as case in point and the author asks herself whether conforming to legal sanction of the marriage institution actually excludes those who do not wish to adhere to the nuclear, hierarchical prototypes.

The stable pair who would marry if only they could are cast

as illegitimate but eligible for a future legitimacy, whereas the sexual

agents who function outside the purview of the marriage bond and

its recognized, if illegitimate, alternative form now constitute sexual

possibilities that will never be eligible for a translation into legitimacy.” [Butler 2004: p. 106]

Žižek is another post-modernist thinker that has been associated with creativity and the self-invented Real. His main political and philosophical inspiration is attributed to the vast applicability of Freudian psychoanalysis and radical leftist political stance. Žižek likes using hype Lacanian terms such as the “Other” and the “Real” but he frequently adorns his speech with unconventional pop culture references.  Similar to Butler, the philosopher wonders:

Why does the decline of paternal authority and fixed social and gender roles generate new guilts and anxieties, instead of opening up a brave new world in which we can enjoy shifting and reshaping our multiple identities?” [Žižek 1999]

Again we see the self-identity struggle is marred by the social surroundings which allow little room for the “Other”. Power mechanisms that dominate society are attributed to libidinal Freudian pleasure taken when one exercises / obeys the law. We are growing in a society pseudo – liberal where acceptance is a guise for further restriction of the “Self” indirectly. The postmodern man / woman is reflexive when he listens to modern day doctrines;

 “This reflexivity undermines the notion of the Post-Modern subject free to choose and reshape his identity. The psychoanalytic concept that designates the short-circuit between the repression and what it represses is the superego.” [Žižek 1999]

It seems according to both authors the pursuit of self-identity and self-invention is contrary to populace beliefs not entirely a process of creativity; it is rather marked within boundaries of what society indicates or finds acceptable. Could the term “normal different” emerge in such a context? Perhaps.

Works cited:

Butler, Judith.  “Undoing Gender”.  2004.
Žižek, Slavoj. “You May!” London Review of Books, vol. 21. March 1999. Web.  Retrieved  8th May 2013 from:  http://www.lrb.co.uk/v21/n06/slavoj-zizek/you-may

The Modern and The Postmodern 4th assignment {Coursera / Wesleyan}

ESSAY PROMPT 2: Describe how two of the following thinkers make use of memory or history in their work: Baudelaire, Nietzsche, Freud and Woolf

Memory serving to the hyper-ego

 

                Friedrich Nietzsche and Sigmund Freud offered society an array of ground-breaking thoughts and stimulated philosophical discussions that constantly raise substantial debate.  To draw comparisons between these two figures or highlight their differences would be most challenging for a scholar; thus it might be of benefit to focus on one emerging commonplace in their works, namely that of history and / or memory.

Civilization and Its Discontents by Freud sheds light to the very first psychoanalytical attempts and the theory surrounding the continuous present struggle of the human nature against our past primal instincts in the name of social conformity. On the Genealogy of Morality by Nietzsche the origins of moral infringements and how these evolved to modern-day prejudices are traced. Specifically, the second essay depicts through the explanation of punishment the infamous “will to power”.

Freud suggests that the power of memory and “preservation in the sphere of the mind” is infinitely stronger as “in mental life nothing which has once been formed can perish”.[16]In fact, he borrows evidence for his assumptions from historical archaeology; the Roman Empire’s past is well preserved amidst ruins and scattered remains, beneath all the modern buildings. [16-17]And yet how is it possible that the same piece of land holds both worlds? How are we to distinguish between a church and the ancient temple upon the latter was built? “If we want to represent historical sequence in spatial terms” Freud remarks “we can only do it by juxtaposition in space: the same space cannot have two different contents”. It seems that for Freud even the history of a glorious city such as Rome fails to provide room for the simultaneous existence of memory and modernity. According to Freud the true grounds, where the past is preserved and can be traced back is the human mind. Only there he concurs “is such a preservation of all the earlier stages alongside of the final form possible, and …we are not in a position to represent this phenomenon in pictorial terms.” [18]

The dominant power of memory and the past emerges in the work of Nietzsche as well.  In the second essay, we find the following statement:

Indeed, there is perhaps nothing more fearful and more terrible in the entire prehistory of human beings than the technique for developing his memory. “We burn something in so that it remains in the memory. Only something which never ceases to cause pain remains in the memory”—that is a leading principle of the most ancient (unfortunately also the longest) psychology on earth. We might even say that everywhere on earth nowadays where there is still solemnity, seriousness, mystery, and gloomy colours in the lives of men and people, something of that terror continues its work, the fear with which in earlier times everywhere on earth people made promises, pledged their word, made a vow. The past, the longest, deepest, most severe past, breathes on us and surfaces in us when we become “solemn.”” [p.3]

Nietzsche insinuates a paradox occurring in modern era. Man is plagued by guilt and “bad conscience”; in his hour of solemnity and remorse he feels the past as a burden, our ill-doings stay with us just like the eternal torment of Sisyphus.  Nevertheless, the past and its people were not regarded as solemn but on the contrast “cheerful”! Through the transaction of “punishment” – freed of all moral repercussions – one could ease the pain inflicted upon him by simply punishing the culprit or redeeming oneself to his debtor. Things were simple in historic times.

Both scholars were considered beacons of thought each in their own time respectively. Nietzsche witnesses the fallouts of the Industrial revolution whereas Freud picks up a lot of similar ideas during the First World War timeline. In both cases, the memory and past serve as liberating forces; Nietzsche’s tribal God-mode opposite the Freudian “oceanic feeling” of wholeness. Intriguingly so, none seems to base those claims on data or empirical analysis; their historical references seem to serve such a purpose; yet one considers their notion of the past a somewhat personal view, elevated strictly on the premises of philosophical theory.    

Works cited:

Freud, Sigmund: Civilization and Its Discontents New York: W.W. Norton (1961)

Nietzsche, Friedrich Genealogy of Morals, essay 2 Leipzig (1887)